Ink-Stained Scribe

Merry X-Mas and Happy New Year!





























So I spent this X-Mas and New Years with a bunch of my friends (Adryn, Katie, Erin, Darren) and had (an overcrowded apartment ><;;) a great time. I spent Christmas eve with the girls, and we went to my and Dai's mutual friend, Mai's, bar and stayed all night drinking and singing karaoke. It was fun, but it was a bit tiring, not to mention a complete departure from the Christmases I'm used to. On Christmas Day, the four of us slept in for a bit, then got breakfast (read: lunch) and then came home and watched Wal-E, which is the cutest movie I've seen in a long time.

On the 27th, Darren arrived from the US, and we hung out until just after New Years. On New Year's eve, everyone went to a NewS concert, and then to an Izakaya. Gini joined us for the NewS concert, but not for the Izakaya.

In Japan, everyone eats Christmas Cake...but not everybody lights it with a flaming lobster claw. Therefore, I believe our Christmas experience was truly unique and special.

When Tomorrow Comes

Please note the play button on the right of the screen.

Please click the play button on the right of the screen.


(Please ignore the awful harmony in the first chorus. Dai forgot to take it out. (it`s him))

When Tomorrow Comes
By Sakuran
Lyrics,Vocals,Piano: L. Scribe Harris Music,Backing Vocals: Daisuke Sakurai

waiting for morning, and the shadows in my room
are concealing all the memories
I reach out my hand, groping for comprehension
of the solid hole where there used to be dreams

there are no more chances, just this unfurling life
and I gave too much just to give up tonight

When tomorrow comes, It'll be okay
When tomorrow comes, I won't worry anymore
When tomorrow comes, I won't be alone
When tomorrow comes--just another day

My thoughts are all uncensored and the voices in my head
are telling me who I'll never be
Is it okay to pretend until I can make it for real
Or is it just one more useless lie to believe

These doubts have paralysed me and I ask myself, "Why?
Am I so scared of falling, I've forgotten how to fly?"

When tomorrow comes, It'll be okay
When tomorrow comes, I won't worry anymore
When tomorrow comes, I won't be alone
When tomorrow comes...

I open my eyes, look into the light
let it illuminate every corner of my life
scattered everywhere, regrets too shameful to bear
but I am standing here now because I've been there

When tomorrow comes
When tomorrow comes
When tomorrow comes...

Just another day, after day, after day, after day

Just another day...

Just another day.

I don't really know what to say.


I just got word that my grandfather died. I'm glad it was peaceful, in his sleep, and that he didn't suffer. I know that seems like a cliche thing to express, but sometimes there are things said for a reason, and wishing the easiest possible passing for a loved one is something I think we all would wish on those of us who have to leave us, as always, far too soon.

Right now the only other thing I wish is that I was in North Carolina.

A Little about Shimokita





About Shimokitazawa "Shimokitazawa, commonly called "Shimokita," is on the western side of Tokyo, and although just a small town, it is very popular among young people. In questionnaire surveys about where young people want to live, Shimokitazawa is always one of the top three responses. This is because there are many small theater halls, live houses, bars and secondhand record shops, and this town is known as a trendsetting place for youth culture. With its many narrow alleys that are inaccessible to vehicles, you are given a real sense of adventure while exploring the town on foot, which is a real joy in and of itself."

Splitting Shimokitazawa "On a recent Saturday night, more than 300 protesters — older ones with shoulder-length graying hair tied back in ponytails, younger ones wearing paisley dresses or high-top sneakers and combat fatigues — marched through the neighborhood holding candles."



Save the Shimokitazawa

These are some of the pages in english that tell you a bit about the city where I'm going to live, and a place to sign the petition to keep it from being bisected by an 81 meter highway, planned for 2010. Tokyo has destroyed so much of it's history for industry, I don't want to see more of the same, especially in this place that will be my home at least until then!

Morning Walk to the Park


As I entered the part, I saw that there were high schol students doing some sort of school marathon. The runners in white and navy, cheerers in turquoise jackets yelling "がんばれ!" (Do your best!) At that time I was also thinking "がんばれ!" I passed them and made my way towards the shrine. It's been a while since I've been there so I accidentally took a side route and ended up in a beautifully manicured area with several spots that looked awesome to visit and play in. I want to go write and diffuse there.


Anyway, I got to the shrine. I still feel like some kind of intruder, I guess, but I went in anyway, bought a charm, hovered over the omamori (protective charms) and then went to the prayer area and tossed in 100¥. I felt awkward bowing or clapping, but I prayed briefly for help moving and for a liftanxiety. Even though it's not a Christian church, I somehow feel closer to my spirituality in one of these shrines. Something about being there feels more connected to the earth, to creation itself, and not as decorated and puffed up as many churches feel. These shrines try to be part of the world, not apart from it.

After that, I wandered out and washed my hands in the purifying water and decided to head back. I would have just walked out, but something drew me toward the red bridge. The phrase "passage over water" was in my mind because of an episode of Pottercast, and it popped out just then. I stepped to the center of the bridge and looked over the water on my right. A mass of mouth-gaping, writhing brown fish were directly below. My attention was immediately drawn to the huge, bright amber fish swimming right through the middle of the pond. That fish was beautiful, and it didn't come to the bridge like the other fish to fight and beg for food, but slowly made its own way through the pond, totally free from worry. I wanted to be like that fish--beautiful and noticeable as I make my way through the world, without relying on someone else to hand me what I need. I want to be a beacon from the bridge.

I noticed the turtles, then, piled on a rock, staring out at nothing, taking the time to bask in the sun as they perched, necks extended. "So there are turtles, too," I thought, wondering if there was any significance in that.

At that point, I felt like crossing to the left side of the bridg. Knowing what would be below, I gazed out over this smaller pond and noticed the tiney, electric orange fish fighting its way to the edge of the pond. I thought of my younger self, standing out as so different and yet so unable to change, fighting through the tiny, dark pond. Maybe that fish didn't realize there were other orange fish, or maybe it just hadn't found them yet.

At that point I began to walk away, when a second huge amber fish splashed. I barely saw it and raced back to the edge. It leapt from the water a second time, like a small topaz whale. It was like it wanted me to see it. There was no one else around.

I thought about going back the way I came, but then I remembered the "passage over water" and decided to continue my journey across the bridge. It was sort of like saying, "Okay, got it loud and clear. This is me accepting what you've given me," and I walked over the bridge.

As I left the park, I passed back by the high schoolers shouting "がんばれ!" and thought of all these kids running the marathon. Out there, someone must be shouting "がんばれ!" at me.

がんばるよ。

Poised on the Edge

Earlier today, I found the senior speech I wrote for Dr. Busonik's class. After listening to some of them, I couldn't bear to give the speech I had already written--full of superficial jokes to make everyone like me. Instead, I wrote about my fear of change, my fear of the future. Interesting to see how what I was worried about then has changed, and stayed the same. Actually, I'd like to post that speech now, and talk about it.

I can think of about twenty different catch phrases to inspire you to listen to me, lots of cutsey or funny or poignant turns to capture your interest, but I’m not going to write any of them down. When I wrote my original speech, it was full of shallow witticisms and lots of carefully placed phrases meant to make you all laugh, meant to make you all like me and like my speech. It was a speech that I should have been proud of as a writer, but I am not proud of it anymore. Yesterday I listened to your speeches—Laura, Anderson, Linnea, Jennifer, Dylan, Nick, and Robert—and I was impressed and flattered by your honesty, by your willingness to share who you are—your experiences, triumphs, discoveries, failures, opinions, and vulnerabilities—and share them with me.

I now think that my original speech was disrespectful to you, who were brave and trusting enough to be honest with me. I don’t want to mask myself with comedy this time; it’s a tactic I employ too often. I don’t want to stand up here and strive to make you remember me. Maybe you will, maybe you won’t. Maybe you’ll cry, but I’m not expecting tears, nor am I writing for them. It feels a little self-serving to write and speak about myself—sort of like I’m writing a paper for a shrink—so I’m going to try to avoid anecdotes. Sorry, you’re still not getting paid to listen to me, but you’ll only have to suffer for five minutes or so.

I’ve always felt my love for this school was really dorky, something that people who go to other schools or hate being at RCHS laugh at and don’t understand. Listening to the speeches yesterday made me realize that I am not the only person whose attachment to the school is a little over the top; people I never really expected to love the school as much as I do.

The reasons everyone gave were right—we are all so supportive of each other, and there is no real social hierarchy to speak of because everybody—for the most part—gets along with everyone else, or at the very least coexists peacefully. In the beginning we were all just desperate to find anyone who would talk to us, anyone who would be halfway nice to us. I think we were all scared and still expecting middle school attitudes. Thankfully, we were all smarter than that and just crazy enough to attempt attending a new, tiny, quirky High School with no football team and ceilings still packed with sawdust.

There is a certain amount of necessary freedom we have here that we wouldn’t at other schools. Of course, the price of this freedom may be a heavy workload, but that’s an easy enough price to handle. For example, we have no real dress code. Last year there was a halfhearted attempt to impose one…an attempt that was royally ignored. Our school’s lack of dress code has not hurt anybody and has, in fact, inspired a lot of memories. Between becoming fully acquainted with Kelsey McKinney’s stomach and, along with others, making fun of Robert’s sweatervests, the many fashion escapades of Dylan Nickles, and Ethan’s famous leather skirt experience—which I can proudly say I stood next to him for—nothing ever really seems weird to me. Notice how nobody blinks when Rini Wood comes to school dressed as a cat, or renaissance faire buffs come to school the day of the event dressed in 1500s attire…down to the shoes. Heck, you can’t even be IN the classical society if you don’t have a toga! People have searched, faked, and found identities with clothing, and that is a necessary part of learning about yourself.

Growing and changing is necessary, and I don’t know if it would have been possible, at least for me, if I hadn’t been in such a supportive, conducive atmosphere. When I think about Lauren Nicholson in middle school, I remember a girl so terrified of people that she had learned to become invisible. She hid behind her books and her braces, afraid to speak. She was so terrified of being ridiculed that she only wore big tee-shirts and overalls, never stepping outside of the invisible box she had frightened herself into. Now, after four years at RCHS, she is a beautiful, confident girl who is a great public speaker and aspires to have her own publishing company. She is someone who I am very, very proud to call one of my best friends in the world. She, like so many others, has blossomed here at RCHS.

I know I’ll be happy for this year to be over, and I am excited to go off to college…but I’m not excited or happy about leaving RCHS. Sure, it’s time for a change of setting…but that means giving up all of the friends I haven’t made here yet, and all of the friends that I have. Leaving means not being able to see every one of you every day. It means no longer joking about that time Jameson dressed in drag and accidentally popped a boob, it means splitting up and spreading out, it means losing touch, it means walking down the halls and not knowing more than one or two people, it means walking away from comfort, and stability, and security. It means walking away from this support we all thrive on. I won’t lie to you, as excited as I am to graduate, I’m scared.

I’m scared as hell to go out there into a world I know I’m not prepared for. I’m scared as hell to try to make it in a career that eats people like me, who are discouraged by rejection. I’m scared as hell that the happiest memories of my life will be sitting here and laughing with all of you…because they are the happiest memories of my life right now, and I want to have so many more. I want to publish my books, I want to make a CD with the music I have been writing since seventh grade, I want to have my first kiss, I want to have a family, and I want to come back to my high-school reunion as someone better, stronger, happier, and more confident than the girl I am right now. I want to be able to come back and hug all of you, I want to have seen you on TV, your name in lights or as the inventor of the next best thing…I want to be as proud to know you then as I am to know you now.

The fact that I do have these things to look forward to propels me onward, but the fact that I’m leaving doesn’t mean I’m going away. Raleigh Charter has always been a safe haven for me, as I’m sure it has for many of you. So, even though I’m scared as hell to walk away, I will walk away. If I trip and fall down the stairs as usual, just laugh at me like you always do and I’ll be okay.

When I walk away, I want to wish you all the best of luck, success, and happiness. Not just to my fellow seniors, but to the teachers and faculty as well. You have been my friends, my mentors, my safety net, and my guides. When I walk away I want to remember you, and even if you don’t remember me, I am glad to have been one of the infinitesimal forces that, however insignificantly, helped to shape your lives and your futures.


That was very interesting to re-read. It reminds me not only of how much I've changed in the almost-five-years since writing that, but of how much I still feel like that eighteen-year-old poised on the edge of some huge freefall into an unknown future. I am that same girl again, having climbed a few more mountains and made it to an even higher precipice from which I must make my next leap. I'll try to be confident that, even if my own wings fail me, God will give me a net...or at least a strong updraft.

I'm living in a foreign country where 40% of the written and spoken language is utterly unfamiliar to me, where the cost of living is high, the ability to solve my own problems lies in the ability to make friends who can help sort them out for me...and I'm about to sever ties with my company. The reason, however, is because I need freedom. I need the freedom to freefall. I crave the freedom and flexibility to work when I want to work and play when I want to play--thankfully, Gaba will let me design my schedule in the kind of way I want.

Sometimes, I want to work in the morning, have the middle of the day to myself, and work again in the evening. Some days I want to have the morning to myself and work in the afternoon and evening. Sometimes, I want to work ten hours on monday, but only six on tuesday. Gaba lets me do that. That's the kind of randomness I need to keep my life flexible. I'll probably have some kind of rotating schedule until I figure out what I like the best. It may be that I work for ten or twelve hours, four days a week. This kind of erratic schedule would drive a lot of people insane, but not me. Erraticism makes me happy. It lets me be free.

Morning Rumination and Markmaster Drabble

After about six months of squeezing every minute, denying every alarm, I'm finally starting to get up earlier. Hopefully writing that down here won't jinx it. I think either my body is getting used to less sleep (unlikely, if it didn't do that during Uni) or I'm getting more restful sleep when I actually get there. I'm guessing it's the latter, which is good--usually, I can't go to sleep unless I'm at the point where I would fall asleep sitting at a desk, because my mind won't slow down and shut up, and it has never agreed with my fixed schedule.

I woke up by myself at 7:30 today, which was when I'd set my initial alarm yesterday. As usual, I went back to sleep when I should have just gotten up, because it was a natural waking stage and I should have used it, but I'm way too used to wanting to go back to sleep...even if I don't actually want to. Tomorrow, if I wake up on my own, I'm getting up. As it is, I finally did get out of my futon at 8:45 to the perky tune of "Try Again" playing in midi on my phone from the kitchen, where I'd taken it at a previous alarm in an attempt to remind myself to get up.

I put on the kettle and went back into my bedroom, folded up my futon and proceeded to...do YOGA!? I did basic yoga sets in my underwear (there's something you can only do if you live alone!) until the kettle went off, and when I went into the kitchen and went about the long process of continuously pouring hot water over the coffee grounds, I also found time to give myself a face massage, which always helps to wake me up. Coffee in hand, I returned to my room and my writing desk, where I wrote morning pages for the fourth time this week. Four out of seven days with morning pages is good for me! Hopefully I can keep that up and even increase the number. It's possible that emptying my mind in the morning is helping me to get better rest at night. It's certainly helping to stimulate me throughout the day and make me more alert.

For those of you who don't know, JK Rowling wrote an 800 word short story about James Potter and Sirius black, which involved Sirius's infamous flying motorcycle and a pair of british police officers. You can read it online HERE (click on "read our authors` stories). Ever since I started listening to Pottercast, I got back into Harry Potter fandom. The four announcers are so funny and intelligent, I feel like I have people to talk to who are like my best friends and most interesting conversation mates during college. It helps me to feel less lonely on weeknights in Omiya to listen to them...and it helps me not to forget English! Since I started Artist's Way again, I've realized how much of an influence JK Rowling has been on my life, and she is inspiring me at every turn lately.

If you haven't heard the commencement address she gave at Harvard University, please watch the video of it or read the transcript HERE. I was so moved that I don't find it terribly unlikely that I will someday decide to work for Amnesty International. JK Rowling (henceforth Jo) is a person very aware of the world, and very aware of her ability to impact it using her fame and her money. Her contributions to charities have been enormous--often, just in shedding light on the existence of that charity. In fact, the previously mentioned short story was part of a charity event where a slew of amazing authors were invited to write post cards with stories on them to be auctioned off by groups invited to bid on them. Someone in Pottercast called Jo a "golden goose" for charity. I think that's an amazing way to use her talent and fame to impact the lives of others. Some of you may remember when she wrote "Quidditch Through the Ages" and "Care of Magical Creatures" to aid the organization "Comic Relief" which promotes literacy in the UK. (let me know if I'm wrong).

Okay, so some of you may be wondering how this has inspired me in other ways than emotionally. Well, I read Jo's short story and I wondered what I would write about if I decided to make a short story involving Arianna's parents. I started jotting down ideas for what we call "drabbles" in the fan world and "short shortstories" in the literary world and, suddenly, I had it. Based on several things I know from analysing Warylin with Sammy (THANK YOU!) and about Ammaya (who was, admittedly, not very developed) I fashioned the outline of their controversial engagement. I quite like it, and I hope to write it over the next few days. I've decided to confine myself to three pages, making this a writing exercise for me. I want my writing to become more specific, which will help me in terms of length.

Wish me luck!

Historical Guilt

The other day, during the politically incorrect and hillarious discussion on the Nazi party, Rachel, Corinna, and I had the following discussion.

Scribe: I think I'm more informed about politics right now than I ever was when I lived in America, just because I'll feel like an idiot if someone asks me who I want to be the next president and, considering everything that's been happening, I don't have an answer. Whenever people hear I'm from America, they're either like "fuck you" or "who are you voting for?" (laugh)

Corinna: Yeah, whenever people hear I'm from Germany, the first thing they say is "sausage" and the second is "Nazi". (laugh)

Scribe: Every country has it's Big Historical Evil that it's not allowed to forget.

Rachel: Yeah, it's not fair, but it happens.

Scribe: For America, it was slavery. It's still the reason behind a lot of political decisions.

Corinna: The Nazis.

Scribe: You win. (laugh)

Rachel: Yes, you take the prize for Evil. (laugh)

Corinna: I don't know why I'm laughing! I shouldn't be happy about that! (laugh)

Scribe: What was England's, Rachel? (A.N. I'm such a dumbass...)

Rachel: Oh, I dunno. We just tried to colonize the world.

fin.

Rachel and Corinna



Rachel and Corinna are two of my best friends here in Japan. I met them through Gini, who met them through various Johnny's events and such. Rachel is from England, and reminds me so much of Scribbie at times that I feel odd not being able to just say "the Pagemasters" and have her know who I'm talking about, or mentioning things like "Firefly" or "Twilight" and getting a blank look. I can, however, discuss with her Harry Potter and various other areas of interest. I spend the night over with Rachel occasionally--it's the only place other than Taiki's that I have done, and I usually have a really good time.

Corinna is the dark-haired one. She's German, though you wouldn't know it listening to her talk, except for the occasional "v" as a "w" and "th" as a "d," but it comes in the middle of such a fluent sentence that it's easy to discard as just some other American accent. We spend half the time together making each other laugh to tears. The most recent was when Rachel, Corinna, and I discussed--don't ask--how Johnny's was actually attempting to bring back the Nazi regime, and how Jin wouldn't mind because he'd end up with a bunch of large-breasted, blonde-haired, blue-eyed women. Despite the fact that she's German, Corinna finds this kind of joke hysterically funny, which is good. We say so many things without thinking about it, like "grammar nazi" that I would be in trouble if she were easily offended. Needless to say, it was so funny that I ended up under the table at Denny's, clutching her foot.

To most of you, the subject of the joke won't have made sense, but it's okay. Just the fact that we are able to do that together, and also have conversations about important matters, makes me happy.

It's cool that the three of us are all from different countries--I feel like we're able to express worldviews from different backgrounds, and it's fun to find the differences in our cultures and expeirences. It's not only fun to be with them, I can count it as cultural enrichment as well! Sort of...

On steam and writing

In case you were wondering, this is not about the kind of steam that issues from a tea-kettle, rises from the streets during the rainy season in Japan, or--most unfortunately--fogs the windows of a car during a particularly satisfying make out session. Rather, this is the kind of metaphorical steam that powers the intangible locomotive called "progress," and if I can't have the make-out session, I'll settle for this. In general, make-out sessions are more likely than progress of a significant kind, though that says little about my love-life and even less about my current progress in writing.

Unless, of course, you count the past few days. Love-life set aside to do what it usually does--strive to reach even a pitiful simmer on the backmost burner of my life-stage (read: stove)--the little engine that could apparently still can.

At three o'clock this morning, I finished the outline for The Mark of the Sun, the second book in the Markmaster's Trilogy. Considering that, two days ago, I had no idea even quite what my next scene would be, I consider this trans-continental progress. I've been workin' on the railroad, folks, and it looks like it's actually heading somewhere. Though I'm still not quite sure how many chapters there will be (and knowing me the number will increase alarmingly) , I've got a moderately detailed outline through chapter fourteen. After that, there's a break during which I skip a good year and a half of Shiro training, Bay kicking back in the castle library, and Arianna...becoming more of a young woman than a teenager. When we meet the characters again, our two younger heros have undergone significant changes, though I won't elaborate on them here. After that, I've outlined the vague progression for the rest of the book. I don't know details, but at least I'm not wandering aimlessly through the forest ala Mark of Flight or Fellowship of the Ring. I've even got the title of the final chapter of Sun--"The Fall of Castle Rizell." Sorry for those of you who would rather not have known that.

Another important thread of progress was something that had been bothering me for quite a while now. I understood Arianna's motivation for falling in love with Shiro, but only on the level of an innocent fourteen-year-old girl who finally feels understood and appreciated for who she is. I had never really analyzed their mature relationship--why, in the long run, does Arianna truly fall in love with Shiro? Why did Shiro (mature enough at 17 to truly be in love, I think) fall in love with Arianna, though she was still not quite a fully developed person herself?

I asked myself what Arianna looked for in a mate. Obviously, confidence could not fall into that category, since Shiro's insecurity is a constant throughout the rest of his life. I don't think he will ever truly take off that collar. But Arianna is not me--she doesn't need confidence to be a quality in her life partner. Arianna recquires courage, and the willingness to give one's self entirely to doing what is right, as well as the ability to judge what that rightness is. Arianna is an intense person, so she would need someone sensitive, who can both absorb her emotions and tame them with kindness and honesty. Those qualities were right on the mark (no pun intended) for Shiro.

I asked myself the same question for Shiro. What made him fall in love with Arianna? Unlike Arianna, Shiro's love is mature from the start. He has none of Arianna's innocence, and is in general a much more realistic person. He has experienced suffering in ways she has not, and is more mature in many ways than she is. However, though she is still not yet fully developed, Shiro can sense the person inside her. Like most 17-year-old boys, his initial infatuation was with her beauty. But he placed himself beneath her socially and only allowed himself to look at her as a sort of idol. As their journey progressed, however, he fell in love with her passion and determination, with her idealism, which he wishes he could still posess. Her generosity, her desire to become greater for the sake of her country gives him a lot of respect for her. Later, when they meet again after nearly two years of separation, his feelings are validated by the young woman she has become.

It was obvious to me that Arianna looked for someone like her father, and the superficial similarities between Shiro and Warylin caused her to imagine him as much more like Warylin than he probably is. I had to know for myself where they were different. Why Shiro is better for Arianna than he would be were he exactly like her father.

Shiro is by far the more intelligent. Warylin is a sensitive, gentle man, but he doesn't possess any great intelligence. His sense of humor is better than Shiro's--lighter. Also, while Waryling was a servant, he was never a slave, and never experienced the kinds of trauma and oppression Shiro underwent at the hands of the Innkeep. Warylin is a shade handsomer, far more vain, and not as easily angered. That, however, may be because he is much more confident than our beloved stableboy.